Constantine Cornwall

What I Learned from Johnny Bevan

Luke Wright

We have a particularly strong offer of theatre in this autumn programme, amongst our best ever. The sequence starts with this astonishingly powerful solo poetical show by Luke Wright.

We booked it on a strong recommendation from two of our most loyal theatre customers who saw it performed at the (sold out) Soho Theatre in London and were blown away by it. Then we heard an epic extract (To London then‚) which was broadcast on Radio 4 in the spring and this confirmed that this show was something special.

In our view it worth the ticket price just to hear that single blistering poetical commentary on banking and capitalism in London. But the whole show has received plaudits wherever it has been seen – we are hearing of a whole audience at Port Eliot rising to acclaim Luke performance there in July – and many more besides, from audience members and critics alike.

This show promises to maintain the Tolmen tradition of top class, cutting edge theatre and we totally recommend it (though with its fierce message and uncompromising delivery it by no means a show for children).

Anyone who has an interest in theatre, poetry, writing, storytelling ‚ or who remembers their adolescence ‚ should grab the chance to see this show.

Tickets £10, £8

lukewright.co.uk

We can think of no better way of illustrating why this show is not to be missed than by simply reproducing a long list of plaudits and critical responses, which show the powerful effect this poetical tour-de-force has produced. These are copied below, and worth a read.

WINNER Fringe First Award for new writing
WINNER The Stage Award for acting excellence
WINNER Best Spoken Word Show Saboteur Awards 2016
WINNER Best Show Laugharne Weekend 2016
WINNER Dark Chat Awards for Best Entertainment 2015
NOMINATED Off West End TBC Award
Sold Out run at The Soho Theatre, Spring 2016

‚ Pulsating piece of poetic storytelling ‚òÖ‚òÖ‚òÖ‚òÖ Lyn Gardner, Guardian

‚ Blistering ‚ a story of our times ‚ a strikingly assured performance of a compelling piece of writing. ‚òÖ‚òÖ‚òÖ‚òÖ Scotsman

‚ This is such a rich piece of writing‚ resonant and timely. ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ Exeunt

Reviews from London run/ tour Spring 2016:

Luke Wright What I Learned from Johnny Bevan is terrific Lyn Gardner, Guardian

Luke Wright gave a capacity audience at Norwich Arts Centre a show of unmatched passion, power and poignancy in the outstanding performance of the 2016 N&N Festival. What I Learned From Johnny Bevan is fast paced, articulate, heartwarming and perfect in execution. Norwich Spy

He used poetry that spat, and a face that seemed to age with the despair of the characters in his story.‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ Brighton Argus

Wright has a proper power over the English language, a storyteller worth listening to, and I look forward to hearing more Tim Auld (for Daily Telegraph)

an impassioned, spellbinding performance infused with humour, humanity and wit ‚òÖ‚òÖ‚òÖ‚òÖ The Reviews Hub

a brilliant show, with a charming performance from Wright A Younger Theatre

Really does convey the power of performance poetry, and focused political satire Write Out Loud

Wright performs with relentless vigour, his poetry pops and fizzes. a singularly powerful piece ‚òÖ‚òÖ‚òÖ‚òÖ Everything Theatre

An astonishing, thought-provoking and original tour-de-force ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ London Theatre

poet Luke Wright is a singular tour de force: (his) language is precise and evocative and What I Learned From Johnny Bevan is politically charged and practically flawless The Play The Thing

A rollercoaster ride of political poetry & sensational storytelling. Is he the new Berkoff? Terri Paddock (founder, What On Stage)

dramatic, humorous, and political This Week In London

something rather special, Luke Wright performance (10/10) was stunning ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖVirtual Festivals (from Kendal gig)

Reviews from Edinburgh Fringe 2015:

‚ Pulsating, neatly handled piece of poetic storytelling ‚ the breakneck storytelling is clear and gives Wright seething, dynamic poetry the room it needs to motor. ‚òÖ‚òÖ‚òÖ‚òÖ Lyn Gardner, GUARDIAN

‚ a strikingly assured performance of a compelling piece of writing. ‚òÖ‚òÖ‚òÖ‚òÖ SCOTSMAN

‚ This is such a rich piece of writing. There so much in it. It resonant and timely and it tells a story compellingly. And the story tells is kind of flooring, raw ‚ It says so much about idealism and youth and maturity and compromise ‚ and love ‚ and the places life can take you, the incremental sneaky way that years have, of passing. ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ EXEUNT

Performed in verse that bounds and soars effortlessly ‚ Taking in issues of class, privilege and the death of Labour, What I Learned from Johnny Bevan is a compelling and relatable exploration of growing up and facing hard truths. ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ THE SKINNY

‚ Luke is like a male Kate Tempest, but perhaps more sharply incisive and piercing. The venue is far too small. Get this guy a gig at Usher Hall! ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ SCOTSGAY

‚ A densely-packed and deftly-woven banner for young Britain political reawakening, What I Learned from Johnny Bevan is what I come to the Fringe for: writing that not only captures you in the theatre but also stays with you for days afterwards. ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ BROADWAY BABY

‚ Wright full-throated reverie is spellbinding ‚òÖ‚òÖ‚òÖ‚òÖ DAILY RECORD

‚ Anyone familiar with Wright work will recognise his deft hand in showing the complexities of male relationships ‚ a political and personal coming-of-age narrative that, while rarely breaking out of a set rhythm and rhyme scheme, still manages to evoke the chaotic passion of awakening. ‚òÖ‚òÖ‚òÖ‚òÖ TIMEOUT Critic Choice

‚ An impassioned, elegant performance, full of humour, sadness and political fury. ‚òÖ‚òÖ‚òÖ‚òÖ LIST

‚ I see a show like this that makes me think theatre cant get any better, so why should I bother going to see anything else? ‚ This is a simple story that is powerfully written and mesmerisingly performed ‚ I cannot recommend it highly enough. ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ EDINBURGH 49

‚ Powerful, poetic coming-of-age story that focuses on the relationship between politics and class. Wright stirring eloquence and resonant delivery heighten the drama and clarify the emotional impact. ‚òÖ‚òÖ‚òÖ‚òÖ THE STAGE

What I Learned From Johnny Bevan is a fantastic debut from a rare poetic talent. At times it feels like a Ken Loach film put to verse. It is a strong and personal story told by an original and absorbing performer. ‚òÖ‚òÖ‚òÖ‚òÖ TV BOMB

‚ This is a completely engaging performance which is delivered with an energy both raw and crisp. Wright really commands the space ‚ The tension and experience created by this one man is admirable. ‚òÖ‚òÖ‚òÖ‚òÖ‚òÖ TODOLIST

‚ Sometimes funny and sometimes heartbreaking, What I Learned From Johnny Bevan is beautifully plotted and completely engaging, reminding us that politics affects everything. ‚òÖ‚òÖ‚òÖ‚òÖ A YOUNGER THEATRE

‚ Sure to spark at least one mid-life crisis. ‚òÖ‚òÖ‚òÖ‚òÖ THREEWEEKS

‚ An oratory masterpiece & a time-capsule ‚òÖ‚òÖ‚òÖ‚òÖ THE MUMBLE

‚ A story of shattered friendship, class ceilings, and the hollow reality of the New Labour dream.

At university the whip-smart, mercurial Johnny Bevan saves Nick, smashing his comfortable, middle class bubble and firing him up about politics, music and literature. Twenty years later, as their youthful dreams disintegrate with the social justice they hoped for, can Nick save Johnny from himself?

Written & performed by Luke Wright
Directed by Joe Murphy
Produced by Paul Jellis
Music by Ian Catskilkin
Illustrations by Sam Ratcliffe
Lighting by Tom Clutterbuck
Co-commissioned by Norwich Arts Centre and Writers Centre Norwich.